It does little good, after Mark Fisher’s suicide, to engage in detail with the arguments about identity politics made in his controversial 2013 essay “Exiting the Vampire Castle” except to highlight its observation that so-called cancel culture is the epitome of entrepreneurial–competitive neoliberalism and not the antithesis.
HOPE IN THE DARK: IN MEMORY OF MARK FISHER
It does little good, after Mark Fisher’s suicide, to engage in detail with the arguments about identity politics made in his controversial 2013 essay “Exiting the Vampire Castle” except to highlight its observation that so-called cancel culture is the epitome of entrepreneurial–competitive neoliberalism and not the antithesis.